Showing posts with label Steve Rudzinski. Show all posts
Showing posts with label Steve Rudzinski. Show all posts

Thursday, 7 May 2015

RAW REVIEW: CAPTAIN Z & THE TERROR OF LEVIATHAN

I've covered a couple of horror-comedies so far here at The House and recently talented young director Steve Rudzinski (who had a starring role in the very fun Scream Park) has been making quite the name for himself in the sub-genre.
The very friendly Rudzinski was recently kind enough to get in touch to ask if I'd like to review his upcoming horror-comedy-swashbuckler (a horrorcombuckler?) Captain Z & The Terror of Leviathan.
Having heard good things about Rudzinski's work I was quick to say yes.
So would this tale float my boat? Or would it just be a pain in the booty?
Read on…

CAPTAIN Z & THE TERROR OF LEVIATHAN (2014)




Dir: Steve Rudzinski

Starring: Zoltan Zilai, Madison Siple, Scott Lewis, Josh Devett, Cerra Atkins, Joshua Antoon, Steve Rudzinski, Aleen Isley, Seth Gontkovic, Ian S Livingston, Christine Mancini, Lacy Brooks

SPEEDY SYNOPSIS: I'll try not to spoil too much here, but continue at your own risk.


In 1714 a group of demonically possessed followers of the dark god Leviathan prepare to sacrifice a red-headed maiden to bring their evil master into this world and doom the Earth.

At the last possible moment, daring pirate Captain Zachariah Zicari (Zilai) swoops in and rescues the damsel, thwarting their plan. However, the demons and Captain Z find themselves sucked into an otherworldly portal, vanishing without a trace.
Flashforward to modern-day and Captain Z has become something of a legend to the local townsfolk. There's even a museum that celebrates his legacy, run by acidic curator Kincaid (Lewis) and his group of young workers including horndog J.T. (Antoon), sardonic Samantha (Atkins), loveably dorky Neal (Devett) and cute but very dim Heather (Siple).
When the snappily square Professor Stewart (Rudzinski) arrives, he aims to enlist the gang to help him discover a mystical amulet that played a key role in Captain Z's finest hour. Alas, Stewart is too late as a local family of hillbillies have discovered the amulet and then accidentally activate it. The demonic followers of Leviathan return, possessing the clan of rednecks, and, led by the nefarious Vepar (Isley) set about their dark plan once again.
However, it was not just the demons that were brought back from their inter-dimensional prison — Captain Z is also freed and, despite his fish-out-of-water status in the modern world, is soon allied with the young gang and Professor Stewart as they look to defeat the forces of Leviathan once and for all.
Will the gang succeed? Will the Captain find himself a lusty wench? And just what does that shadowy man after the credits have in mind?



THE BEST BITS (mild spoiler warning): More than anything Captain Z & The Terror of Leviathan is a fun film. From the opening scene in which Captain Z is ably assisted in his battle by his trusty and deadly chicken sidekick Rosa to defeat the dimwitted demons, it's very clear that this isn't setting out to be the ultimate experience in gruelling terror. Nor is it trying to compete with the multi-million-dollar Pirates of the Caribbean franchise when it comes to supernatural nautical action — instead it is looking to provide plenty of laughs and doesn't take itself too seriously to do so.

Rudzinski told me that seminal horror-comedy The Army of Darkness was a big influence on his film and that can be seen all too clearly. The movie skims along at a nice brisk pace, firing out gags like a mirth machinegun, and for the most part, these jokes hit the target.
This is mainly down to the fantastic writing by Rudzinski and Zilai. Just like Cut! this is yet another movie in which the co-writers take two of the lead roles while one handles directing duty. This sort of multitasking always impresses, especially when each job is performed well. The plot is goofy, but never betrays its own internal logic, and the story is surprisingly captivating. 
However, arguably the best writing comes in the characterisation. Each of the characters stands out, none are lost in the background and each has their moment to shine. By writing for such a large cast Rudzinski and Zilai are able to keep the script fast moving and avoid any of the joke characters from becoming too repetitive. For example, Captain Z's deliberately hackneyed 'pirateisms' could well have worn out their welcome if he had remained the sole focus of the flick, but by giving us regular breaks from the character we find ourselves lifted each time he appears rather than bored. It's a fine balancing act and they absolutely nail it.
Other characters that stand out are the delightfully dippy Heather, the sinfully girlishly evil Vepar and the long-suffering Stewart. With some fine moments involving the supporting cast, including lunkish T.J, the adorably naive Neal and (quite possibly my favourite of the gang) the dry Samantha, the dialogue throughout is of a pretty high and very witty standard.
The well-written characters are ably brought to life by a decent cast.
The show is very nearly stolen by the very attractive Siple. She has wonderful comic timing, and is very easy on the eye, so I predict big things from her in the future.
The two leading men Zilai and Rudzinski are also awesome. Rudzinski's is the more grounded role and he has some of the best lines, which he nails. He's very funny and his committed performance in the more physical scenes is admirable. This is one talented dude.
Zilai's is the biggest, most outrageous role and he plays it with gusto.

He swaggers and struts, spewing cliched pirate slang and diving into his sword fighting scenes with aplomb. Yes, this is a broad performance (and his cornish pirate accent slips a couple of times) but that is exactly what it requires. In fact, it just serves to make his work all the more likeable.
Like the vast majority of the cast, he is clearly having a fantastic time on set and it makes the movie that little bit more enjoyable for the audience too.
Furthermore the moronically comic possessed hillbillies are all great value too. As the group's sinister leader Isley nails it (plus her climactic battle with the forces of good is a surprisingly well-choreographed and fun knockabout brawl), although the devilishly wicked  Mancini gives a brilliant turn in her key scene. Excellent work ladies.
Finally, I loved the stoic and world-weary turn put in by Lewis. As the straightman to his wackier students he totally understood his role and handled it flawlessly.
Now, there's no getting away from the fact that Captain Z & The Terror of Leviathan is a lower budget effort (the imdb states that it was made for just $15,000!). However, despite this Rudzinski and co have done a great job with what they had.
Even the effects work looks pretty good in places, especially the great demon makeup on the villains. Very nice!
Rudzinski's direction does a good job of hiding any shortcomings in the picture, while the cinematography (by Lewis) ensures that the film looks as good as it possibly can. This is some nicely polished filmmaking from a group of individuals with a clear vision and committed determination to get the movie they want made. And for the most part, this drive has proven successful. Well done gang, kudos!
The latter stages of the movie suggest that Captain Z and the team could well be heading toward another showdown with a group of equally nefarious horror villains. If this means we can look forward to Captain Z & The Fangs of The Vampire King, count me in!
Finally, I want to touch on that post-credits scene. If you wish to remain unspoiled, look away right now.
Taking a cue from the Avengers, we see Captain Z being recruited into a team of slasher hunters. This follows on from Rudzinski's own short 2011's Slasher Hunters, which itself has ties to his 2012 movie Everyone Must Die, last year's Red Christmas and the 2013 short, The Killer, which directly leads into Captain Z. I love a good connected universe and Rudzinski is artfully spinning quite the web here. The quality of Captain Z means I'll definitely be checking out the rest of his catalogue... stay tuned for more reviews!


THE WORST BITS (mild spoiler warning): There's no denying it — Captain Z & The Terror of Leviathan is a low budget indie horror flick. It's a very good one, but if you want the polish of a Blumhouse horror of the sort you'll see at your local cinema, you may be left wanting.

Of course, the budget has had a knock on effect on certain things — for example, Captain Z's costume looks almost identical to a very cheap Jack Sparrow costume I wore on a boozy stag do a few years ago — but you can't help but admire the earnest way in which the crew have stuck by their vision and gone for some things that may well have seemed beyond their humble means. I find that when it comes to looking past the budget of a genre flick it's either something the viewer can or can't do, there's no middle ground. If you can't, I'm afraid Captain Z may not be for you, but if you can, there's a surprisingly fun little flick waiting for you.  
The budget obviously also has an effect on the cast. With several individuals handling multiple roles, there were some times in which their inexperience showed. It was nothing too serious but every now and then we got a clunky line delivery or awkward reaction. These don't crop up so often that they ruin the film and, for the most part, they don't occur at times that damage any key scenes. I do feel I should hasten to add that at no point did I ever feel the cast were half-assing this. Everybody comes across as if they are working hard and making a real effort. It's just that a couple of times a lack of experience hinders their work. Oh well.
As a comedy, the success of Captain Z & The Terror of Leviathan pretty much hangs on how funny it is. I thought it was pretty amusing, but that is very much a question of sense of humour so I can't speak for everybody. Alas a couple of the gags fell flat, but even the most uproarious of comedies can't bat a hundred. Instead, this one keeps the quips coming thick and fast so even if one misses the spot it's not long until another will be coming your way.
Finally, a couple of times I noticed some slight audio issues. Of course, I watched the movie online so it could very much have been an issue with the screener rather than the final product. In that case I'm prepared to give the movie the benefit of the doubt, so I'm happy to overlook it. Never mind, I still worked out everything that was happening throughout and heard more than enough punchlines to gags to ensure that I had plenty of laughs.


THE VERDICT: I'll be honest with you, Captain Z & The Terror of Leviathan is not a perfect movie. However, it is much better than it has any right to be and is a genuinely fun viewing experience. The movie suggests there will be a sequel and this one did more than enough right to get me onboard for that. This is the sort of movie to watch with a group of friends, some cold beers and a pizza and just go with it. You won't regret it.


If you'd like more info on Captain Z, head over to the film's facebook page and check it out. Give it a Like while you're at it. And for those of you wondering where you can check it out, the movie gets it worldwide release on 19th May, so get ready!



If you haven’t already, do please check out and like the Hickey’s House of Horrors Facebook page, which you can find here. It gives you a nice quick link to any new posts on this blog, plus regular news updates from around the web. I check the Internet so you don’t have to! Alternatively, follow me on twitter: The House@HickeysHorrors

Until next time, I hope you enjoyed your stay.

Friday, 30 January 2015

RAW REVIEW: SCREAM PARK

When I reviewed Dorchester's Revenge: The Return of Crinoline Head last year, I praised the film for its throwback feel to the heyday of slasher flicks.
I think there is a real demand for unapologetic slasher movies today — a lot of horror fans were raised in the mid-Eighties, the glory days of the sub-genre. There is a real affection and nostalgia for some of these films.
Also, since horror became saturated with movies featuring masked killers picking off cookie-cutter characters on certain dates, the slasher has tailed off somewhat. The spate of teen-friendly slashers that followed in the wake of Scream were widely derided for being too toothless (or more precisely, too bloodless) while the more recent trend for torture p0rn movies has left slasher fans cold due to their meanness, a lack of fun and suspense.
So with that in mind, I was intrigued when I head about Scream Park. It boasts an old school slasher premise, using its setting as a hook and boasting a big cast of characters that should all be eerily familiar to fans of the sub-genre.
Is this another classic along the lines of The Burning? Or are we looking at another cheap modern attempt to cash in a la Valentine?
Read on...

SCREAM PARK (2012)



Dir: Cary Hill
Starring: Wendy Wygant, Steve Rudzinski, Tyler Kale, Nicole Beattie, Kyle Riordan, Alicia Marie Marcucci, Dean Jacobs, Kailey Marie Harris, Nivek Ogre, Ian Lemmon, Doug Bradley

SPEEDY SYNOPSIS: I'll try not to spoil too much here but read on at your own risk.

Fright Land, a small local theme park, is winding down for closure following plummeting attendances. The staff are going through the motions, collecting their last few paycheques before the gates shut forever.
As the park closes one night we are introduced to the eclectic mix of characters that work there: fun-loving, busty Carlee (Harris); her boyfriend, lunkish jock Tony (Jacobs); disinterested, goth Missi (Beattie); cute blonde Allison (Marcucci); geeky loner Rhodie (Kale); sweet and good-hearted Jennifer (Wygant) and their uptight boss Marty (Rudzinski). Allison and Carlee use their feminine wiles to convince Marty to allow them the throw a staff party after hours on site. After Allison’s bad-boy, punk boyfriend Roy (Riordan) arrives with booze, hi-jinx ensue.
However, it isn’t long before two sinister masked figures are spotted roaming the park — and then the bodycount starts to mount.
Who are these masked maniacs? What do they want? And who, if anybody, will survive the night?



THE BEST BITS (minor spoiler warning): One of the problems with imitating the classic films of yesteryear with a limited budget is that sometimes the means do not match the vision. Amazingly, director Cary Hill has created a fantastic throwback that never feels compromised. This was obviously helped no end by the fact that the crew were able to shoot in a real theme park. The park makes for a great setting and doesn't just serve as a cool hook, it also has a purpose in the storyline too. It isn't just a gimmick, it's a legitimate plot device! 

This plot is decent enough by slasher standards but the real strength of the writing is in the dialogue and characterisation. Yes, the characters do fit into neat slasher archetypes, but they have more depth to them than most. They manage to be sympathetic, adding a level of realism to the roles that many of their slasher forebears would neglect to include. The writing is wonderful but the excellent cast certainly do contribute to the film's most successful moments.
The girls are all undoubtedly very attractive (this has to be one of the most unfeasibly good-looking casts I have ever seen) but they and their male co-stars are also all extremely talented performers. It's tough to pick any standout performers from what is an exceptional standard throughout, but if I had to single anybody out for praise I would say that the superb Wygant (who was all too easy to fall for), Beattie (who was cool, spiky yet very likeable) and Kale (whose dead-on performance meant that you couldn't help but root for him) are definitely names to look out for in the future. Each was genuinely brilliant.
Of course, if we are discussing the impressive thespians featuring in Scream Park it would be remiss to overlook the legendary Doug Bradley. The always awesome Bradley has a small but key role in the proceedings and chews the scenery with devilish relish. The man is a legitimate genre treasure and once again proves what a phenomenal, charismatic acting powerhouse he is while barely breaking a sweat. Upon securing Bradley's services I imagine Hill et al would have been jumping for joy for very, very good reason.
Speaking of Hill, he really impressed me with his work. Not just in disguising the movie's budgetary restrictions, but for the genuine skill he displayed with his assured direction. Some of the shots in Scream Park were amazing, especially that waterside shot of the monstrous Ogre. Hill knows his stuff and I cannot wait to see more from him in the future.
Hill's wonderfully lit and framed visuals are perfectly backed by the great soundtrack, which has a suitably Eighties vibe. Very cool!
Finally a quick word on the stuff that most slasher fans are looking for - gore and scares. The character design and vicious MO of the deranged killers is very creepy indeed and provides plenty of chills throughout. There are some imaginative deaths, plus one particularly shocking one that seemingly comes from nowhere, so the film also delivers on that count.



THE WORST BITS (minor spoiler warning): There's not much to find fault with in Scream Park but there were a couple of minor issues.
First, a pet peeve of mine. Doug Bradley's name is all over the packaging for this film, yet his screentime totals less than five minutes. What you do get is awesome but I want to warn hardcore Pinhead fans that the marketing team here may have been a little overzealous with their use of Bradley's name. I understand why they've done it, of course, but only thought it fair to clue you guys in.
I liked the interesting plot of the movie, but on closer inspection there are some quite major plot holes in the villains' plan. I shall try to remain deliberately vague here but I'll add a spoiler warning just in case, SPOILERS********** While sound(ish) in theory, it doesn't quite hold up when real world rules and regulations, not to mention the outrage of morality campaigners, are taken into account SPOILERS END********** Of course, as a throwback to retro slasher classics this can be overlooked as these regularly featured decidedly iffy storylines. In fact, compared to some of the silliness of some of the sub-genre's finest Scream Park fares very well indeed!
Some people might also find the flick a little predictable. It has easily the most telegraphed final girl I've seen in a long time, but this is part of the movie's throwback charm. If you know your slasher films you KNOW what distinguishes a survivor from blade-fodder, so why not embrace that wholeheartedly? As a celebration of a sub-genre it seems pretty obvious that the movie should adhere to that genres rules and for that I applaud it.
Speaking of the storyline somebody somewhere needs to sort out the plot description for the movie over at its IMDB page — it completely spoils the biggest plot twist! What the hell man?
I know I praised the acting throughout but I did have one teensy tiny gripe. I thought the fantastically creepy Nivek Ogre completely nailed all of his character's unsettling physical ticks and mannerisms, but on some (very rare) occasions his redneck accent slipped into becoming a little too cartoonish for my liking. Once again, if this was a deliberate thing, a shoutout to the OTT hillbillies of the slasher heyday, he did a fine job. Either way it certainly wasn't enough to ruin my enjoyment of the film or his performance as a believably psychotic antagonist.
Finally, while the flick delivered some cool scares and a couple of nice scenes of splatter, a film with this high a body count could have done with some more blood and guts. It wasn't disappointing by any stretch of the imagination and I understand that this was the area in which the pinch of a lower budget was more acutely felt, but I think a couple more gruesome moments could have propelled an already very good slasher flick even higher.



VERDICT: What a great find this one was! In case you hadn't guessed I LOVE slasher films and this gave me everything I could ask for from one: a cracking, fast paced story, pretty faces putting in incredible performances, mean as hell villains, witty dialogue, quality filmmaking, a groovy soundtrack and characters I could actually give a hoot about. Hill and his team absolutely nailed it. This is another easy recommendation to my fellow fans of stalk 'n' slash cinema.
And if that's not enough, I've been reliably informed that a sequel is on the way — and with a significantly higher budget. I was pretty impressed with what the team pulled out of the bag this time round, so I'm very excited to see what they can achieve with even more funds to play with.
If you want to learn more about this sequel, check Scream Park's official Facebook page for updates. While you're there, give it a big old Like too. These guys rock so they deserve it!

If you haven’t already, do please check out and like the Hickey’s House of Horrors Facebook page, which you can find here. It gives you a nice quick link to any new posts on this blog, plus regular news updates from around the web. I check the Internet so you don’t have to! Alternatively, follow me on twitter: The House@HickeysHorrors

Until next time, I hope you enjoyed your stay.